A visual research links sculpture, art, and curation, through the documentation of my practice of creating still-life piles in the domestic space.
“Creating piles and composition is a form of active meditation, an automatism when I'm bored, a way to get inspiration to create ephemeral sculptures and narratives. It's also a way to remind myself what kind of objects I surrounded myself with, in a world where we are drowning in stuff. Starting to take them in picture is a way to archive and share this practice as well as gather other persons who are into it.”